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Encountering Capuchins in 1630s London

 

By Dr Liam Peter Temple

Dr Temple is the Capuchin Fellow in the History of Catholicism at the Centre for Catholic Studies, Durham University. He is currently engaged on a research project exploring the influence of Capuchins in Britain from the seventeenth century to the present day. 

 

The Order of Friars Minor Capuchin have a rich and important history. They first emerged in the 1520s, desiring to live a strictly regulated life that they believed was the true Franciscan spirit of the Rule of their founder, Francis of Assisi.  The Capuchins combined both the active and contemplative lives, living out a Franciscan charism which focused on preaching, radical poverty, and service to the poor, while equally stressing prayer, contemplation, and regular observance in their friaries.

Despite early disruptions, the Capuchin movement spread rapidly across Europe and beyond, with missions after 1587 to Brazil, Egypt, Persia, Ethiopia, and India, among others. In many parts of Catholic Europe their presence expanded at a remarkable rate. Their first public appearance in Paris, for example, was at the funeral of Charles IX in 1574. By 1650, the Capuchins in France were divided into ten provinces, in which there were 287 friaries, and over 5,000 friars, about a quarter of the entire strength of the Capuchin order at the time.[1]

Capuchins were often referred to as the ‘poor man’s Jesuits’ in the early modern period, a reference to their eagerness to work with the poor, uneducated, and sick in their provinces. Paradoxically, their eagerness to do so resulted in them often finding favour with the most influential, becoming the favourites of popes, emperors, kings, and princes. They were often to be found as confessors to nobility, preachers at royal courts, and even chaplains in various armies.[2] We need only look at the influence of François Leclerc du Tremblay, the original éminence grise and closest advisor of Cardinal Richelieu in France, to see the heights Capuchins soared to in the early modern period.

IMAGE: Portrait of François Leclerc du Tremblay by Pieter de Jode, 1628 – 1670. Image courtesy of Rijksstudio.

Britain was, for most of the period, considered a low priority for the Capuchins, and it was only through the efforts of the Irish Capuchin, Francis Nugent, to convince Pope Paul V of its importance, that a mission to England, Scotland and Ireland was established in 1608.[3] Both before and after the establishment of the mission, there were only a handful of Capuchins in Britain at any one time. This small presence is perhaps one of the reasons why the historiography concerning Capuchins, at least in English, is remarkably thin, consisting of a magisterial work by Father Cuthbert of Brighton written in 1928 and a smattering of other work expressly concerned with the order since then.[4] My project on the Capuchin influence in Britain seeks to recover the influence of the friars, arguing that their activities had real and important impact on wider events and developments in the period.

Here I focus on one interesting example of the Capuchin influence in Britain and draw attention to only one aspect of that example. It is perhaps not widely known that in 1630 twelve French Capuchins arrived from Paris to serve at the chapels of Henrietta Maria, wife of Charles I, and the French Ambassador. Details about this French Capuchin presence in England are preserved in a manuscript account of one of the friars, Fr Cyprien de Gamache, written many years later. This manuscript, written in French, provides an incredibly rare glimpse into the lives of Capuchins in the period beyond official rules, constitutions, and theological works.[5]

One aspect of Fr Cyprien’s account that is particularly interesting is the relationship it describes between French Capuchins in London and the Protestant majority they attempted to convert to Catholicism. It details the mindset of a group of Capuchins, situated in the chapel of a French queen, but in a country very much alien to their sensibilities. It reveals much, for example, about the extent of their ambitions to secure conversions. Fr Cyprien tells us that one of the key decisions taken almost immediately after their arrival in London was for them to begin learning English to preach, undertake confession, and engage with the populous. While their native French would have more than sufficed with Henrietta Maria and the royal court, many of whom spoke French, the Capuchins clearly sought wider impact beyond the elite circles they had been brought into. Like Capuchins in many other countries in the period, they saw a wider public ministry and engagement with the poorer classes as an important element of their mission and identity.

In one humorous passage, Fr Cyprien describes how the Capuchins played up their identities as the foreign and Catholic ‘other’ in London to attract conversions. Since their arrival in London, they had been the subject of many rumours and gossip. They would soon find crowds of visitors eager to look around their cells and find out more about their way of life:

People talked of them in their houses; they said that they were persons so strange, wearing dresses so extraordinary, leading so austere a life, that every one conceived a desire to see them. Accordingly, persons of quality, ministers, people of all conditions, who had never been out of the kingdom, came to see them, as one goes to see Indians, Malays, Savages, and men from the extremities of the earth.[6]

As a result, the Capuchins harnessed this curiosity and controlled how they were perceived. They decided, for example, to remove their straw mattresses and pillows, leaving nothing but the bare boards to lie on. ‘This little self-denial’, Fr Cyprien tells us, ‘was admired by the English whom curiosity had brought into their chambers’. While touring the cells, the Capuchins would tell the crowds that England had been ‘full of monasteries and of holy friars’ like them before the schisms of Henry VIII and Elizabeth I, and spoke about their earnest desire to fully imitate Christ. This approach, bordering on a form of ‘religious tourism’ in 1630s London, provided ample opportunity for the Capuchins to generate conversation with Protestant onlookers. ‘The English language had become more familiar to us, and easier’, Fr Cyprien notes, ‘one converted person brought several others, who were either related to him, or friends of his’.

Equally, once a new Catholic chapel at Somerset House, staffed by the French Capuchins, was opened in 1636, Fr Cyprien records that the doors could not be closed for three successive days, only then being closed so Charles I and some of his courtiers could see the sight for themselves. The chapel, with its optical illusions, grand paintings and 40-foot-tall monstrance containing the Blessed Sacrament, would have been striking to the public crowds that flocked in to see it. Fr Cyprien tells us that the chapel remained open to ‘satisfy the devotion of the Catholics and the curiosity of the Protestants’. The Capuchins at the chapel would hear confession, celebrate Mass, carry the sacrament to the ill or imprisoned, lead confraternities, deliver lectures and even teach children. Much of this was done in both French and English, and such a sight must have been impactful on the curious who visited the chapel.[7]

The opportunity to focus on this element of Fr Cyprien’s account came about due to a generous invitation to speak at the LERMA-QMCRLE conference ‘Lived Religion in Europe 1500-1800: Individual and Communal Practice’. My paper drew on Robert A. Orsi’s claim that lived religion is essentially ‘religion-in-action, religion-in-relationships between people, between the ways the world is and the way people imagine or want it to be’.[8] As a result, I came to appreciate another layer to Fr Cyprien’s account. While it contains priceless details about the role of Capuchins in London in the 1630s and their movements at court, it also contains a rare glimpse into how a Capuchin saw the world and how his Franciscan charism influenced how he acted in that world. Removing everything from their cells when curious Protestants visited them was not only a form of religious tourism; it also highlights the central role played by radical poverty in the self-fashioning of their own identities as Capuchins.

While their cells and the chapel were primarily sights of conversion in the eyes of the Capuchin missionaries, they were also, in a period of growing political tension and anti-Catholicism, places of curiosity and conversation for Protestants in London in the 1630s. That is perhaps the strength of the approach of lived religion, in focusing on individuals and personal experience it reveals nuances and details that other large-scale historical approaches often overlook.

While I have focused on one small element of Fr Cyprien’s account here, it is fair to say that it has much more insight to offer on key events in early modern Britain, with Fr Cyprien witnessing the outbreak of the Civil Wars, the activities of the Stuart court in exile in the 1650s, and the restoration of Charles II in 1660. His is a vital eye-witness account to many important moments. As my research continues, I hope to reveal more of Fr Cyprien’s importance. I also hope to reveal the Capuchin influence in Britain more widely and return them to their rightful place in mainstream narratives and historical accounts of the period.

[1] Father Cuthbert O.S.F.C., The Capuchins: A Contribution to the History of the Counter-Reformation (London, 1928), pp. 203, 211.

[2] R. Po-Chia Hsia, The World of Catholic Renewal, 1540-1700 (Cambridge, 2005), pp. 30, 73.

[3] See F. X. Martin, Friar Nugent: A Study of Francis Lavalin Nugent (1596-1635): Agent of the Counter-Reformation (London, 1962).

[4] See, for example, Fr Cuthbert, The Capuchins; Elisabeth G. Gleason, ‘The Capuchin Order in the Sixteenth Century’, in Richard L. DeMolen (ed.), Religious Orders of the Catholic Reformation (New York, 1994); The Capuchin Reform: Essays in Commemoration of its 450th Anniversary, 1528-1978, trans. Ignatius McCormick O.F.M. Cap (Youngstown, OH., 1983). Sebastian Holland O.F.M. Cap., The Capuchins (Liverpool, 1984) features a condensed recapitulation of Fr Cuthbert’s work.

[5] I will be quoting from a modern translation of the manuscript found in Thomas Birch (ed.), The Court and Times of Charles the First (2 vols, London, 1848). The translation of ‘Memoirs of the Mission in England of the Capuchin Friars in the Service of Henrietta Maria’ is in volume two. A French transcript was published as Mémoires de la mission des Capucins de la Province de Paris près la Reine d’Angleterre depuis 1630 jusqu’à 1669 (Paris, 1881).

[6] Birch (ed.), The Court and Times, p. 309.

[7] Birch (ed.), The Court and Times, pp. 310-15.

[8] Robert A. Orsi, ‘Is the Study of Lived Religion Irrelevant to the World We Live in?’, Journal for the Scientific Study of Religion, 42 (2003), pp. 169-74, p. 172.

Social distancing in 17th-century letters

A blog post by Laurianne Bremond.

Laurianne is a member of the LERMA, and recently successfully defended her PhD dissertation entitled “Pour ma Chère Chère Soeur” : édition critique et traduction de la correspondance entre Charles II et Henriette-Anne, duchesse d’Orléans. In this post, she analyses the materiality of letters and correspondence to show how social conventions were translated onto paper not only int he words used but also in the formal presentation of thoseintimate documents.

Social distancing has been part of our daily lives and vocabulary for the last two years. Yet, the expression can also be used when talking about the 17th century. Nothing to do with safety measures to fight the numerous epidemics that plagued Europe at that time, though. This phenomenon can be observed… in letters.

In the Middle Ages, the epistle was a complex exercise following strict rules, which demanded high intellectual level and Latin proficiency. It was thus reserved for an elite. In the early modern era, letters were considered the best way to keep in touch and communicate with someone who was not physically present. Correspondence even thrived as literacy rate grew and postal services improved. According to Roger Duchêne, “the developing of epistolary practice, and especially the female epistolary practice, created a new state of mind, more attentive to spontaneity than to perfection, to the truth of a letter genuinely sent rather than its technical achievement[1]”. Yet did this evolution between the medieval epistle and the early modern letter imply the utter deregulation of epistolary writing?

If correspondence is said to be a “conversation between absentees”, it should be considered as a conversation between civil people, well aware of the rules that govern the relationship between men and women, members of the family or inferiors and superiors within the social hierarchy. In the 17th century, social conventions were still paramount, especially in Court. There was no spontaneity in writing to a member of Government or to the sovereign. Quite the contrary: to be sure that their requests would be well received, courtiers could use manuals and even ask professionals to write their letters.

Despite the calls for more spontaneity and truth, writing rules were still in use. Alan Stewart even chose the word “grammar” to name “the physical features of the letter (such as handwriting, paper, seals, postscripts) – and the social practices that animate them (the customs of writing and the rites of delivery)[2]”. Indeed, epistolary and social conventions were intrinsically tied. Deference to a social superior, like a patron or the King himself, should be visible in the content of the text but also in the structure of the letter.

In a report sent to Louis XIV, French Ambassador in London Gaston Jean Baptiste de Comminges, kown as “le comte de Comminges” left a large blank (almost half a page) between the greeting “Sire” and the first line of the text. He did likewise at the end, with a reasonable blank between the last line and the parting “Sire”, his signature pushed even further, into the bottom right corner of the letter. This document is an example of the fastidious implementation of what we could call “social distancing” in epistolarity. Here, “social” is not related to “3. b. a group of people, an organization, etc.: consisting or composed of people associated together for friendly interaction or companionship” but refers to “5. d. a person’s status in society”[3]. The distance that existed between the author and the recipient, who was superior on the social ladder, was illustrated by the visible distance between the body of the text and the opening and ending of the letter. Those blanks could be seen as the epistolary equivalent of bowing and were a mark of humility.

This form of social distancing can also be associated with one of the key rules of Court life: precedence. In that case, distance came with order. It can be observed when the letter is attributed to several authors with different social status. For example, in 1665, Louis XIV sent two envoys extraordinary to his first cousin Charles II. With Comminges, they were supposed to prevent a war between England and the United Provinces. One of them was a diplomat, Honoré Courtin. The other was Henri de Bourbon-Verneuil, duc de Verneuil, legitimate son of King Henri IV of France and therefore uncle to both Louis XIV and Charles II. When this “ambassade extraordinaire” (as it was called) sent reports to the French King, not only the respectful distances were applied when possible (when the text did not cover the last page almost entirely), but the three men signed according to their status: as a Duke and member of the royal family, Henri de Bourbon-Verneuil was the first to sign (“Henry”, the title “duc de Verneuil” was visibly added by the secretary), then came Comminges (“Comenge”), and finally Honoré Courtin (“Courtin”).

Official correspondence was not the only type concerned with respecting the rules. Such proof of humility and discretion can be observed in exchanges between a man and a woman who were not related (in that case, the female writer had to be careful to maintain the distance on paper to preserve her reputation) or between members of the family (children showing their respect to their parents and expecting their own children to do likewise).

The apparent failure to respect such rules can either be due to ignorance, which could have unfortunate consequences, or to a will to bridge the gap between the correspondents, sometimes despite their differences. The correspondence between King Charles II and his youngest sister Henriette-Anne, known as “Madame”, is remarkable. Conventionally, Madame should address her brother with reverence, as a King and the head of the Stuart family. That is why, at the very beginning of their correspondence (the first letter of the corpus dates from 1659) the 15-year-old princess repeatedly called him “your Majesty”. But Charles II clearly asked her not to be so formal (“I beg of you not to treat me with such ceremony”). From that moment, the letters were written with a complete lack of structural formality. When we observe the surviving documents, we can see that the text is very compact and often cover whole pages. Moreover, there are no greetings and their respective parting sentences (“I am yours” and “I am your humble servant”) are directly included in the last lines of the text. Madame does not even use a signature while the King uses a mark that could be a stylized “C”, coming just after the end of the text and, sometimes, on the same line as the last words.

Social distancing can be observed in letters because they are the literal reflection of the social relationships which were, in the early modern era, extremely hierarchical, especially at Court. The spontaneity promoted was actually ruled by social conventions, which became epistolary conventions. However, those conventions were not limited to the text per se. For scholars, its structure and even the materiality of the letter are highly informative on the relationship between the correspondents. A carefully built text with significant blanks can be proof of formality and social distance. On the contrary, a text that does seem spontaneous in its content and structure can convey a sense of familiarity.

Such observations should encourage us not to limit letters to their literary content but to zoom out and have a broader view on the epistolary process, which could give precious information on the author’s social self-awareness.

[1] Roger Duchêne, Comme une lettre à la poste. Les progrès de l’écriture personnelle sous Louis XIV (Paris : Fayard, 2006), p. 128.

[2] James Daybell et Andrew Gordon, « Introduction: The Early Modern Letter Opener » dans James Daybell et Andrew Gordon (eds), Cultures of Correspondence in Early Modern Britain (Philadelphie : University of Pennsylvania Press, 2016), p. 1-26 (p. 12).

[3] OED online.